They’re going to the harbour beyond the White Towers. The Grey Havens. They’re leaving Middle Earth. Never to return.
It’s things like this that make me say that the LoTR film trilogy captures the spirit of the books better than the Hobbit films thusfar have, even though the latter is truer to the story of its original more than the former.
Apparitions; art by Ted Nasmith
Frodo seemed the most weary of the three, and slow though they went, he often lagged. The hobbits soon found that what had looked like one vast fen was really an endless network of pools, and soft mires, and winding half-strangled water-courses. Among these a cunning eye and foot could thread a wandering path. Gollum certainly had that cunning, and needed all of it. His head on its long neck was ever turning this way and that, while he sniffed and muttered all the time to himself. Sometimes he would hold up his hand and halt them, while he went forward a little, crouching, testing the ground with fingers or toes, or merely listening with one ear pressed to the earth….
Presently it grew altogether dark: the air itself seemed black and heavy to breathe. When lights appeared Sam rubbed his eyes: he thought his head was going queer. He first saw one with the corner of his left eye, a wisp of pale sheen that faded away; but others appeared soon after: some like dimly shining smoke, some like misty flames flickering slowly above unseen candles; here and there they twisted like ghostly sheets unfurled by hidden hands. But neither of his companions spoke a word.
At last Sam could bear it no longer. ‘What’s all this, Gollum?’ he said in a whisper. ‘These lights? They’re all round us now. Are we trapped? Who are they?’
Gollum looked up. A dark water was before him, and he was crawling on the ground, this way and that, doubtful of the way. ‘Yes, they are all round us,’ he whispered. ‘The tricksy lights. Candles of corpses, yes, yes. Don’t you heed them! Don’t look! Don’t follow them! Where’s the master?’
— J.R.R. Tolkien, The Two Towers, “The Passage of the Marshes”
At the Cracks of Doom; art by Ted Nasmith
The fires below awoke in anger, the red light blazed, and all the cavern was filled with a great glare and heat. Suddenly Sam saw Gollum’s long hands draw upwards to his mouth; his white fangs gleamed, and then snapped as they bit. Frodo gave a cry, and there he was, fallen upon his knees at the chasm’s edge. But Gollum, dancing like a mad thing, held aloft the ring, a finger still thrust within its circle. It shone now as if verily it was wrought of living fire.
‘Precious, precious, precious!’ Gollum cried. ‘My Precious! O my Precious!’ And with that, even as his eyes were lifted up to gloat on his prize, he stepped too far, toppled, wavered for a moment on the brink, and then with a shriek he fell. Out of the depths came his last wail Precious, and he was gone.
— J.R.R. Tolkien, The Return of the King, “Mount Doom”
Frodo and Haldir in Lothlórien; art by Ted Nasmith
They entered the circle of white trees. As they did so the South Wind blew upon Cerin Amroth and sighed among the branches. Frodo stood still, hearing far off great seas upon beaches that had long ago been washed away, and sea-birds crying whose race had perished from the earth.
Haldir had gone on and was now climbing to the high flet. As Frodo prepared to follow him, he laid his hand upon the tree beside the ladder: never before had he been so suddenly and so keenly aware of the feel and texture of a tree’s skin and of the life within it. He felt a delight in wood and the touch of it, neither as forester nor as carpenter; it was the delight of the living tree itself.
As he stepped out at last upon the lofty platform, Haldir took his hand and turned him toward the South. `Look this way first! ’ he said.
Frodo looked and saw, still at some distance, a hill of many mighty trees, or a city of green towers: which it was he could not tell. Out of it, it seemed to him that the power and light came that held all the land in sway. He longed suddenly to fly like a bird to rest in the green city. Then he looked eastward and saw all the land of Lórien running down to the pale gleam of Anduin, the Great River. He lifted his eyes across the river and all the light went out, and he was back again in the world he knew.
— J.R.R. Tolkien, The Fellowship of the Ring, “Lothlórien”
The Flight to the Ford by John Howe
Illustrations of Middle Earth
Frodo the Ring Bearer; art by Jay Johnstone
Endgame on the Mountain; art by Ted Nasmith
Again he lifted Frodo and drew his hands down to his own breast, letting his master’s legs dangle. Then he bowed his head and struggled off along the climbing road….Panting under his load Sam turned the bend; and even as he did so, out of the corner of his eye, he had a glimpse of something falling from the crag, like a small piece of black stone that had toppled off as he passed.
A sudden weight smote him and he crashed forward, tearing the backs of his hands that still clasped his master’s. Then he knew what had happened, for above him as he lay he heard a hated voice.
‘Wicked masster!’ it hissed. ‘Wicked masster cheats us; cheats Sméagol, gollum. He musstn’t go that way. He musstn’t hurt Preciouss. Give it to Sméagol, yess, give it to us! Give it to uss!’
J.R.R. Tolkien, The Return of the King, “Mount Doom”
Riders at The Ford; art by Ted Nasmith
At that moment there came a roaring and a rushing: a noise of loud waters rolling many stones. Dimly Frodo saw the river below him rise, and down along its course there came a plumed cavalry of waves. White flames seemed to Frodo to flicker on their crests and he half fancied that he saw amid the water white riders upon white horses with frothing manes. The three Riders that were still in the midst of the Ford were overwhelmed: they disappeared, buried suddenly under angry foam. Those that were behind drew back in dismay.
With his last failing senses Frodo heard cries, and it seemed to him that he saw, beyond the Riders that hesitated on the shore, a shining figure of white light; and behind it ran small shadowy forms waving flames, that flared red in the grey mist that was falling over the world.
The black horses were filled with madness, and leaping forward in terror they bore their riders into the rushing flood. Their piercing cries were drowned in the roaring of the river as it carried them away. Then Frodo felt himself falling, and the roaring and confusion seemed to rise and engulf him together with his enemies. He heard and saw no more.
— J.R.R. Tolkien, The Fellowship of the Ring, “Flight to the Ford”
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Frodo and Sam by Jay Johnstone.
“Frodo’s dream of Eärendil”
The scene depicted shows Frodo in the Hall of Fire at Rivendell while listening to the tale of Eärendil as written by Bilbo (with the help of Aragorn). The painting is watercolour.
Short-cut through Farmer Maggot’s fields
