“Legolas gazed ahead, shading his eyes from the level shafts of the new-risen sun. ‘I see a white stream that comes down from the snows,’ he said. ‘Where it issues from the shadow of the vale a green hill rises upon the east. A dike and mighty wall and thorny fence encircle it. Within there rise the roofs of houses; and in the midst, set upon a green terrace, there stands aloft a great hall of Men. And it seems to my eyes that it is thatched with gold.’” - The Two Towers
Paintings by John Howe and Alan Lee
Apparitions; art by Ted Nasmith
Frodo seemed the most weary of the three, and slow though they went, he often lagged. The hobbits soon found that what had looked like one vast fen was really an endless network of pools, and soft mires, and winding half-strangled water-courses. Among these a cunning eye and foot could thread a wandering path. Gollum certainly had that cunning, and needed all of it. His head on its long neck was ever turning this way and that, while he sniffed and muttered all the time to himself. Sometimes he would hold up his hand and halt them, while he went forward a little, crouching, testing the ground with fingers or toes, or merely listening with one ear pressed to the earth….
Presently it grew altogether dark: the air itself seemed black and heavy to breathe. When lights appeared Sam rubbed his eyes: he thought his head was going queer. He first saw one with the corner of his left eye, a wisp of pale sheen that faded away; but others appeared soon after: some like dimly shining smoke, some like misty flames flickering slowly above unseen candles; here and there they twisted like ghostly sheets unfurled by hidden hands. But neither of his companions spoke a word.
At last Sam could bear it no longer. ‘What’s all this, Gollum?’ he said in a whisper. ‘These lights? They’re all round us now. Are we trapped? Who are they?’
Gollum looked up. A dark water was before him, and he was crawling on the ground, this way and that, doubtful of the way. ‘Yes, they are all round us,’ he whispered. ‘The tricksy lights. Candles of corpses, yes, yes. Don’t you heed them! Don’t look! Don’t follow them! Where’s the master?’
— J.R.R. Tolkien, The Two Towers, “The Passage of the Marshes”
The Glittering Caves; art by Ted Nasmith
‘You have not seen, so I forgive your jest,’ said Gimli. ‘But you speak like a fool. Do you think those halls are fair, where your King dwells under the hill in Mirkwood, and Dwarves helped in their making long ago? They are but hovels compared with the caverns I have seen here: immeasurable halls, filled with an everlasting music of water that tinkles into pools, as fair as Kheled-zâram in the starlight.
‘And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come. And plink! a silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes: they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.’
— J.R.R. Tolkien, The Two Towers, “The Road to Isengard”
The King of the Golden Hall
Composer: Howard Shore
Film: The Lord of the Rings: The Two Towers (2002)
Gandalf and the Balrog Upon Celebdil; art by Ted Nasmith
‘We fought far under the living earth, where time is not counted. Ever he clutched me, and ever I hewed him, till at last he fled into dark tunnels. They were not made by Durin’s folk, Gimli son of Glóin. Far, far below the deepest delving of the Dwarves, the world is gnawed by nameless things. Even Sauron knows them not. They are older than he. Now I have walked there, but I will bring no report to darken the light of day. In that despair my enemy was my only hope, and I pursued him, clutching at his heel. Thus he brought me back at last to the secret ways of Khazad-dûm: too well he knew them all. Ever up now we went, until we came to the Endless Stair.’…
‘From the lowest dungeon to the highest peak it climbed, ascending in unbroken spiral in many thousand steps, until it issued at last in Durin’s Tower carved in the living rock of Zirak-zigil, the pinnacle of the Silvertine.
‘There upon Celebdil was a lonely window in the snow, and before it lay a narrow space, a dizzy eyrie above the mists of the world. The sun shone fiercely there, but all below was wrapped in cloud. Out he sprang, and even as I came behind, he burst into new flame. There was none to see, or perhaps in after ages songs would still be sung of the Battle of the Peak.’ Suddenly Gandalf laughed. ‘But what would they say in song? Those that looked up from afar thought that the mountain was crowned with storm. Thunder they heard, and lightning, they said, smote upon Celebdil, and leaped back broken into tongues of fire. Is not that enough? A great smoke rose about us, vapour and steam. Ice fell like rain. I threw down my enemy, and he fell from the high place and broke the mountain-side where he smote it in his ruin. Then darkness took me; and I strayed out of thought and time, and I wandered far on roads that I will not tell.
— J.R.R. Tolkien, The Two Towers, “The White Rider”
The Wrath of the Ents; art by Ted Nasmith
‘When Treebeard had got a few arrows in him, he began to warm up, to get positively “hasty”, as he would say. He let out a great hoom-hom, and a dozen more Ents came striding up. An angry Ent is terrifying. Their fingers, and their toes, just freeze on to rock; and they tear it up like bread-crust. It was like watching the work of great tree-roots in a hundred years, all packed into a few moments.
‘They pushed, pulled, tore, shook, and hammered; and clang-bang, crash-crack, in five minutes they had these huge gates just lying in ruin; and some were already beginning to eat into the walls, like rabbits in a sand-pit. I don’t know what Saruman thought was happening; but anyway he did not know how to deal with it.’…
‘It was staggering. They roared and boomed and trumpeted, until stones began to crack and fall at the mere noise of them. Merry and I lay on the ground and stuffed our cloaks into our ears. Round and round the rock of Orthanc the Ents went striding and storming like a howling gale, breaking pillars, hurling avalanches of boulders down the shafts, tossing up huge slabs of stone into the air like leaves.’
— J.R.R. Tolkien, The Two Towers, “Flotsam and Jetsam”
‘We have heaps of it,’ he said; ‘and you can all pack as much as you wish, when we go. We did some salvage-work this morning, Pippin and I.There are lots of things floating about. It was Pippin who found two small barrels, washed up out of some cellar or store-house, I suppose. When we opened them, we found they were filled with this: as fine a pipe-weed as you could wish for, and quite unspoilt.’
— J.R.R. Tolkien, The Two Towers, “Flotsam and Jetsam
Soundtrack: The Story Foretold
Movie: The Lord of The Rings: The Two Towers
Composer: Howard Shore
The Three Hunters and the Rohirrim at Helm’s Deep
The Two Towers - Book Three
Chapter I: The Departure of Boromir: Lament for Boromir - Read by J.R.R. Tolkien